The Korea Herald


Annual New Yorker Fest has Shakespearean twist


Published : Oct. 5, 2011 - 16:29

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NEW YORK (AP) ― To gab, perchance to argue. Ay, there’s the way to make New Yorker magazine fans happy.

And so it was a delicious moment at the annual New Yorker Festival this past weekend when Shakespeare scholar James Shapiro mused to his co-panelist, Hollywood director Roland Emmerich: “I’ve long been interested in why smart people say dumb things.”

Shapiro may have been musing, but Emmerich was steaming. He was, after all, the target of the remarks, because of his new film contending Shakespeare did not, in fact, write the plays we attribute to him. “This is cheap,” he protested. “Please. Don’t say this.”

What could be better than a testy debate over Shakespearean authorship to get the weekend juices flowing? Each fall, New Yorker readers compete for tickets to hear their favorite authors, actors, directors, artists, and occasionally politicians ― House Democratic leader Nancy Pelosi this year, for example ― muse, pontificate, and yes, argue.

But there was a little something extra this time around for Shakespeare enthusiasts. Actor Ralph Fiennes flew in Sunday from London, where he’s playing Prospero in “The Tempest,” to screen his upcoming film version of “Coriolanus,” which he directed and in which he stars.

“It’s nice to see you with a nose,” quipped his interviewer, New Yorker film critic Anthony Lane ― a reference, of course, to Fiennes’ noseless run as Voldemort in the Harry Potter films.

Fiennes explained how he’d been “obsessed” with “Coriolanus,” which he gives a bloody and visceral rendering in his film, for a long time. And he noted that, unlike the Potter films, “Coriolanus” was not an easy sell. ``People weren’t jumping up and down to finance this,” he said dryly.

But first, on Friday, there was the advance screening of Emmerich’s “Anonymous” ― coincidentally also featuring Vanessa Redgrave ― which posits that it was actually the Earl of Oxford who wrote those great plays.

After the screening, Shapiro, who has written a book countering such claims, took pains to say how much he liked Emmerich’s other films ― “Independence Day,” for example. And then he drew his rapier: “Anonymous,” he said, was ``factually incorrect in almost every respect.”

It took a fan to break the tension. “I’m just glad there’s a movie out there that deals with these issues,” the fan told the panel.

As usual, most of the festival tickets ― 78 percent of them ― were sold out in the first half day they went on sale. Ticket buyers came from 47 states and 19 other countries or territories. One event ― a reunion of cast and creators of the old Fox show “Arrested Development” ― was sold out in three seconds, the magazine said.