With all-Korean cast, European-inspired setting, Disney+ aims to bring global webtoon phenomenon to life
Can an all-Korean cast make European court intrigue feel real?
That's the multimillion-dollar question facing Disney+'s "The Remarried Empress" -- potentially the platform's biggest gambit of the year.
Adapted from a hit web novel and webtoon phenomenon that has amassed 2.97 billion views worldwide, the romance fantasy follows Empress Navier (Shin Min-a) after her husband, Emperor Sovieshu (Ju Ji-hoon), demands a divorce to elevate Rashta (Lee Se-young), a runaway slave.
The story is set in a distinctly European-inspired royal court, and the announcement that Disney+ would adapt the source material into a K-drama featuring an all-Korean cast sparked intense debate among fans over the apparent disconnect between the cast and the story's Western-inspired medieval setting.
The question of how the production would bridge that gap took center stage at the show's press conference in Seoul on Tuesday.
Veteran director Cho Soo-won ("Pinocchio," "I Hear Your Voice") addressed the concerns by emphasizing the importance of building a tangible world that the audience could believe, placing physical authenticity at the center of his approach.
"I wanted the spaces the characters inhabit to feel grounded and physical," Cho said.
According to Disney+, the imperial palace of the Eastern Empire was filmed at Schleissheim Palace in Germany, while the gardens where Navier develops a relationship with her new love interest, Heinrey (Lee Jong-suk), were shot at Kromeriz Gardens in the Czech Republic. In the streets of Kutna Hora, also in the Czech Republic, the production placed storefronts bearing Korean-language signs, blending into the classic European architecture to bring the unique story setting to life.
"Thanks to strong backing from our production company, we undertook extensive preproduction and scouted numerous international locations. When we stumbled upon a castle in Germany, I thought, 'This is it. We're going to have so much fun here.'"
Ju, who plays the conflicted Emperor Sovieshu, openly admitted his initial hesitation regarding the cultural mismatch.
"It felt completely unfamiliar," Ju recalled. "I caught myself wondering, 'Is this a drama I can sample, look at or digest?' But someone I trust pushed me to take the bite. In hindsight, I realized I was holding a prejudice -- it's like being completely comfortable with Korean broth, but suddenly hesitant when someone calls it 'soup.'"
To ground his performance within the Western aesthetic, Ju drew on traditional Korean period-drama sensibilities.
"While working from the base script, we spent a great deal of time analyzing expressions and speech patterns from past works to hit the right balance. We kept testing subtle phrasing ... to ensure every scene felt authentic."
Navigating the tonality of the source material presented another challenge. First launched as a web novel in 2018 before being adapted into a wildly popular 2019 webtoon, the intellectual property carried contrasting vibes across mediums.
"The original web novel carries a darker, more serious tone, whereas the webtoon adaptation is brighter and more playful," Cho noted. "I tried to find a middle ground to establish the overall tone of our live-action series. We did our best to remain faithful to the original, and I hope longtime fans will enjoy it."
To condense the expansive lore into a tight 10-episode run, the creative team sharpened the focus on the central character dynamics.
"The original work features numerous subplots and an expansive ensemble cast," said Shin. "Our adaptation zeroes in on the four central figures, streamlining their arcs into a 10-episode narrative that leans into the most dramatic, entertaining, and provocative elements of the story."
Ultimately, Ju believes the show's high-concept romance fantasy aligns naturally with its streaming home.
"The entire tone and manner of the series are rooted in fantasy, making it a natural fit for Disney+," Ju added. "Growing up, Disney was our gateway into a world of dreams, hope and imagination. They have always produced works that fulfill our fantasies rather than relying strictly on realism. I think 'The Remarried Empress' does exact same thing."
yoonseo.3348@heraldcorp.com
