The conference, hosted by the Korea Creative Content Agency and the Culture Ministry, is taking place at Coex in southeastern Seoul through Tuesday.
New media theorist and computer science professor Lev Manovich addressed the potential of Korean content in the international market.
“With the rise of K-pop from around 2009, Korea’s content industry has been successful, global social media platforms have paid attention,” said Manovich. “Korean films seem extremely successful. ... But if you look at companies like Samsung or LG, the software seems lacking.”
Manovich called for the end of culture as an industry. “I believe industrialized culture has to die,” he said. “I urge talented Korean minds to devise ways in which culture can thrive without being forced into an industry.”
|New media theorist Lev Manovich speaks to reporters at the Next Content Conference at Coex, Seoul, Monday. (Yonhap)|
Animator Pierre Coffin, director of the “Despicable Me” and “Minions” movies, is skeptical about AI’s role in content creation.
“Story is something that is too human to be technologically driven.
“AI feels more like a trend than anything revolutionary. I have a hard time imagining AI influencing content, which is about how to tell a story and tell it well,” said Coffin.
“Content is aimed at human beings, so I’m not sure how stories not made by human beings will psychologically impact human beings.”
In the current content industry, distributors, including massive online platforms like Facebook, take away an excessive portion of the value created by content, according to Geoff Mulgan, chief executive of the UK foundation Nesta, which researches innovation.
Policy initiatives are under way to recycle the profits of often monopoly distributors and funnel them into production, he said.
|UK foundation Nesta’s Chief Executive Geoff Mulgan speaks to reporters at the Next Content Conference at Coex in Seoul, Monday. (Yonhap)|
“Some EU countries, particularly France and Germany, are strongly in favor of taxing giant distributors to fund small independents or creative production.”
How skilled jobs will be affected by new waves of technology is a “complicated but optimistic story,” Mulgan said.
“Even as some jobs are rapidly taken over by technology, the net effect will be to increase the number of labor-intensive jobs. That has been the case for the past few decades and will continue to be so for the next few.
“It’s likely there will be growth in health, education, hospitality in creative jobs -- a big growth in creative jobs is likely.”
New forms of education in creative areas that encourage problem solving and fluency of ideas are essential, he said. “Most education ministries are stuck in the previous era.”
For the first time this year, the Organization for Economic Cooperation and Development will be measuring how well countries encourage collaborative and creative problem solving in schools, he said.
AI is also making ripples in the Chinese content industry, said Zheng Quanzhan, head of Tencent Research Institute, which focuses on developments in the internet.
“In China, AI writes articles and even poems, and paints paintings,” said Zheng. “But in the end, AI is equipped with the algorithms and data that humans program into it.”
By Rumy Doo (firstname.lastname@example.org)